Myths of the 3rd Person Narrator

Several weeks ago here on Words like Trees, we surveyed a range of common narrative points of view, from character-turned-narrator first person to free indirect style, omniscient, and close third person. In the weeks since, and in particular as I have been making my way slowly (very slowly) through the first volume and a half... Continue Reading →

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Choose the Right Point of View for Your Story: Beyond the Basics

First, third, omniscient, limited—point of view (POV) is a global decision we make in every writing project. Like our choice of present or past tense, selecting the right point of view for a story has a powerful impact on the final effect, and it’s worth considering different options before jumping to one choice. Many of... Continue Reading →

Worldbuilding #2: into the story we go

This post is part two of two in a series on worldbuilding. To read part one, click here. Last week, we explored how to plan and develop a speculative world, how we must situate ourselves along a continuum between the real and the absurd, how we can tie into existing cultural concepts while still making... Continue Reading →

Efficient revising: what order is best?

The four faces of revising. Yesterday, I completed a first draft of rewrites to my novel manuscript. It's been three months since I began, thirteen chapters of new material, and copious reworking of the existing. It's a celebration, to be sure, and I'm content to bask in the glory of a milestone passed for a... Continue Reading →

Character development: the bubble model

The lifeblood of so many stories is in their characters. An unsympathetic, unrelatable protagonist can easily drive readers away, and writing believable, sympathetic characters can pose real challenges. Not least among these is the question of how our characters change from beginning to end. How do we write believable, authentic change in our characters? How,... Continue Reading →

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