Mode, Genre, and Form: Three Ways to Think More Deeply about Our Texts

In the huge range of texts we write, distinguishing among them helps us know what we are writing, helps readers know what to expect, and helps us connect our pieces to readers who will enjoy them. Today we'll discuss three central ways texts are distinguished from one another: mode, genre, and form. These tools help... Continue Reading →

How Much Should I Research?

In the story I have been drafting these last weeks, I've hit up against real edges in my knowledge. I have dived on into research, poring over academic articles, newspapers, and of course Wikipedia. I have taken awful volumes down of notes. I have learned much, and I've asked questions. I am generally not a... Continue Reading →

Worldbuilding #2: into the story we go

This post is part two of two in a series on worldbuilding. To read part one, click here. Last week, we explored how to plan and develop a speculative world, how we must situate ourselves along a continuum between the real and the absurd, how we can tie into existing cultural concepts while still making... Continue Reading →

Worldbuilding #1: setting fits the story

The worlds we construct inside our stories, especially in speculative genres, carry our readers to new possibilities, new ways of thinking about life and what is set and normal. Worldbuilding is one of the great excitements of the writing process, as our minds, omnipotent in the world of the story, trace out societies and structures... Continue Reading →

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