How Much Should I Research?

In the story I have been drafting these last weeks, I've hit up against real edges in my knowledge. I have dived on into research, poring over academic articles, newspapers, and of course Wikipedia. I have taken awful volumes down of notes. I have learned much, and I've asked questions. I am generally not a... Continue Reading →

The right story for the right time: context of reception and what it means for writers

It is hard for me to just not finish a book. I hem and haw, delay. I grudgingly slog another page. There are so many books I want to read, after all--why agonize, insist on finishing one I'm not enjoying? Is it the uncertainty of how to mark it on my Goodreads account, or something... Continue Reading →

Reading Bashō, remapping genre

Following the example of the ancient priest who is said to have travelled thousands of miles caring naught for his provisions and attaining the state of sheer ecstasy under the pure beams of the moon, I left my broken house on the River Sumida in the August of the first year of Jyōkyō among the... Continue Reading →

Myths of the 3rd Person Narrator

Several weeks ago here on Words like Trees, we surveyed a range of common narrative points of view, from character-turned-narrator first person to free indirect style, omniscient, and close third person. In the weeks since, and in particular as I have been making my way slowly (very slowly) through the first volume and a half... Continue Reading →

A quick note from Naples

It's 10:30pm, and I'm just sitting down to write. I'll have to keep it a quick one. A long and sweaty, beautiful and adventurous day of travel now at an end, I'll recount a bit and reflect, see if I can tease out a few details to remember. Naples has a reputation. I think everyone... Continue Reading →

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