Dialogue #3: Dialect

This post comes third in our series on dialogue. To read the first post about the dialogue's three basic forms or last week's discussion of realistic dialogue, click these links. This week, we'll look at how characters' spoken dialects might be rendered in fiction, the effects these different portrayals might have on readers, and the... Continue Reading →

Literature and political commentary: how far from reality can we stray?

The other night, I finished reading Ariel Dorfman's play Death and the Maiden, a haunting examination of Chile's reckoning with the aftermath of dictatorship. The play itself was emotionally powerful, concentrated in its characters and ideas (somewhat in the way poetry has a density of meaning, like the brief but all-consuming burst from a candy... Continue Reading →

Foraging for stories

I spent a bit of time researching MFA programs yesterday. Just a bit. It's still a ways in the future for me, but I began with a survey of the pros and cons of formally studying creative writing at all. Jennifer Ellis has assembled a helpful list of cons, and the first item she included... Continue Reading →

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